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How The Brain Meets Music

  • irenechiandetti
  • Oct 13, 2025
  • 2 min read

Updated: Oct 18, 2025

Sounds, Meaning, and Cognitive Diversity


Absolute Pitch: Gift Or Trainable Skill?

Absolute pitch (AP) is the rare ability to identify a musical note without external reference. While uncommon in the general Western population, AP is more frequent among people on the autism spectrum and in children exposed to music from an early age.

Ockelford suggests that AP isn’t just a genetic gift—it can emerge through environment and repetition, particularly during sensitive periods of brain development.



Music and Language: A Blurred Boundary

The work of Diana Deutsch, famous for her musical illusions, shows how spoken phrases, when repeated, can begin to sound like melodies.

This suggests that the brain reorganizes sounds based on context and repetition, blurring the line between speech and music and generating meaning in unexpected ways.


Neuroscience, Neurodiversity, and Music

Ockelford—alongside Oliver Sacks and Daniel Levitin, also mentioned by Margulis—challenges the idea of “musical normality.” His work shows that music can be understood and expressed through diverse neural strategies.



Why It Matters

This perspective changes how we view both music and cognition:

  • Education: Supports inclusive teaching methods for children with different learning profiles.

  • Therapy: Highlights music’s role in enhancing communication for individuals with autism or sensory impairments.

  • Neuroscience: Offers insight into how the brain builds meaning from sound, regardless of neurotypicality.

  • Culture: Reinforces music as a shared bridge across human diversity.



Conclusion: To Listen Is To Understand

How Music Meets Mind reminds us that music is more than an aesthetic experience—it’s a deep cognitive process that links memory, emotion, and thought.

When the brain meets music, it doesn’t just hear—it interprets, completes, and creates meaning.


In the end, music is both universal

and profoundly individual


Source: Elizabeth Hellmuth Margulis, How Music Meets Mind, The New Yorker


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